The empty streets gave the impression of a one-man rally, leaving Kenyans questioning whether this was a nostalgic political statement or a subtle campaign move.
The incident, captured in a viral clip, has stirred heated debate online.
Political observers note that the gesture could be symbolic, signaling a nod to Moi-era politics, when rural mobilization and street-level theatrics were a key part of winning hearts.
Jaoko’s choice of the iconic rungu, coupled with his high-energy display, seems designed to evoke memories of authority, discipline, and grassroots connection.
Residents and social media users have been quick to react, with some praising the boldness and enthusiasm, while others poked fun at the lack of crowds.
In the matatus of Nairobi and cyber cafés across Western Kenya, the clip has become a trending topic, sparking debates about political symbolism and the legacy of Kenya’s first-generation leaders.
Jaoko Oburu, while largely flying under the political radar since his father’s passing, appears to be crafting his own political identity, one that resonates with nostalgia but also asserts his presence ahead of potential local or national engagements.
Analysts suggest this move may be a test of public attention, measuring reactions before larger rallies or political statements.
What remains clear is that the streets of Kakamega, even when empty, can be turned into a stage for political messaging.
Jaoko Oburu’s display is a reminder that in Kenyan politics, symbolism, heritage, and performance often intersect with strategy.
Whether this will translate into political momentum or remain a viral curiosity is yet to be seen, but it has certainly put Jaoko back into Kenya’s political conversation.
